The psychology of singing

This work by David C. Taylor aims to prove that the idea of mechanical vocal management, which forms the basis of modern vocal training, is completely erroneous. The author argues that, despite scientific scrutiny, modern methods are based on the assumption that the vocal organs must be managed by direct and conscious muscular movements, and that this approach is contrary to psychological laws. This mechanical focus has led to many popular doctrines such as “breath control” and “resonance” being based on false premises and has created problems for practitioners, such as throat stiffness, which inhibits natural vocal action. Taylor argues that the only rational basis for the correct use of the voice is imitation, since the vocal cords adjust instinctively to the demands of the ear, without conscious direction. Therefore, he argues, proper vocal training should be based on training the ear and listening carefully to the singer himself, thus revealing the rational principle behind the mysterious success of the old Italian school.